Outdoor Sun Lounger Cushion Black 200x50x3cm Water-Resistant Oxford Fabric
Outdoor Sun Lounger Cushion Blue 200x50x3cm Water-Resistant Oxford Fabric
Outdoor Sun Lounger Cushion Cream 186x58x3cm Water-Resistant Oxford Fabric
Outdoor Sun Lounger Cushion Cream 200x50x3cm Water-Resistant Oxford Fabric
Outdoor Sun Lounger Cushion Cream 200x60x3cm Water-Resistant Oxford Fabric
Outdoor Sun Lounger Cushion Grey 200x50x3cm Water-Resistant Oxford Fabric
Outdoor Sun Lounger Cushion Grey 200x60x3cm Water-Resistant Oxford Fabric
Throw Pillows Set of 2 Black 40×40 cm Durable Fabric with PP Cotton Inserts
Throw Pillows Set of 2 Dark Grey 40×40 cm Durable Fabric with Cotton Inserts
Throw Pillows Set of 2 Light Grey 40×40 cm Durable Fabric with Cotton Inserts
Throw Pillows Set of 2 Light Grey Cylinder Foam Removable Covers Home Decor
Velvet Throw Pillows Set of 2 Black Cylinder Cushions Soft Removable Covers
Velvet Throw Pillows Set of 2 Dark Grey Cylinder Bolster Cushions 15×50 cm
Velvet Throw Pillows Set of 2 Light Grey Cylinder Shape Removable Covers 15×50 cm
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.