Mobile Scaffolding 1850mm Adjustable Heavy-Duty Steel Platform for Safe Work Access
Multi-Purpose Folding Ladder 3.6m Heavy-Duty Non-Slip Rubber Feet Safe Use
Multi-Purpose Folding Ladder 4.7m Heavy-Duty Non-Slip Rubber Feet Safe Use
Multi-Purpose Folding Ladder 4.7M Lightweight 150kg Capacity Easy Storage
Multi-Purpose Folding Ladder 5.7m Heavy-Duty Non-Slip Rubber Feet Safe Use
Multi-Purpose Folding Ladder Heavy-Duty Non-Slip Rubber Feet 150kg Capacity
Multi-Purpose Folding Ladder Heavy-Duty Non-Slip Rubber Feet 150kg Capacity
Set of 4 Universal 4 Inch Castor Wheels with Side Lock Brake for Easy Movement
Stair Climbing Trolley 6 Wheels Lightweight Aluminium Hand Cart for Easy Transport
Steel Workbench with Pegboard and Drawer for Tools and Accessories Storage
Sturdy Adjustable Saw Horse for Woodworking with 400kg Capacity and Rust Protection
Wooden Workbench with Drawers and Vices Solid Acacia Wood Garage Workshop Tool Storage
Workshop Tool Trolley with 7 Drawers Lockable Red Steel Storage Organizer
Workshop Tool Trolley with 7 Lockable Drawers and Swivel Castors for Tools
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.